For detailed information on billing and cancelation, please visit the Hulu Help Center (). Location data may be required to watch certain content. Access content from each service separately. Offer valid for eligible subscribers, devices, and billing partners. Includes certain combinations of Disney+, Hulu, and ESPN+, subject to change. Please review our Terms of Use () and Privacy Policy (). Pricing, channels, features, content, and compatible devices subject to change. Number of permitted concurrent streams will vary based on the terms of your subscription. Programming subject to regional availability, blackouts, and device restrictions. Click here to check channel availability in your area. Live TV may vary by subscription and location. Location data required to access content. Streaming content may count against your data usage. Multiple concurrent streams and HD content may require higher bandwidth. Compatible device and high-speed, broadband Internet connection required. Live TV is available in the 50 United States and the District of Columbia only. For personal and non-commercial use only. Any free trials valid for new and eligible returning subscribers only. The essays in this volume consider the issue of figuration in the broadest sense, including formations that are supra-individual, animalistic, divine and machinic.18+ only. Perpetually caught between the home and the world, between elation and agony, such cinematic entities carry in them the diverse, contending energies of the overall assembling arena of Indian modernity itself. These many-armed, complex modes of figuration carry a special tenacity in Indian cinema for many reasons, but perhaps most importantly because the template of classical realist narration usually has had limited authority over its proceedings. Such figures are products of discontinuous assembling processes that cut through dyadic arrangements and pass the same character/body/identity via different, often contradictory, moral economies and sign systems. That is, incarnations often emerge at critical interfaces between good/bad, Indian/western, self/other, virtue/vice, myth/reality, and so on. Indian cinematic traditions have always relied on eclectic ways of figuration that combine signs and affects of desire and abomination.
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